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Magali Reus. Red Roses | Rebecca May Johnson, Filipa Ramos | 9789462088511 | nai010

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Magali Reus. Red Roses

Author:Rebecca May Johnson, Filipa Ramos

Publisher:nai010

ISBN: 978-94-6208-851-1

  • Paperback
  • English
  • 192 Pages
  • Apr 17, 2024

Exceptional portrait of the artistic practice of an internationally acclaimed artist Magali Reus.

The book 'Magali Reus. Red Roses' shows the extraordinary artistic practice of this internationally acclaimed Londonbased artist and winner of the prestigious Prix de Rome 2015. The publication features a range of recent works and exhibitions.

Magali Reus (b. 1981, The Hague) has been creating hyper-realistic sculptures for more than a decade. She represents, redefines, enlarges and deforms everyday objects in various materials and using surprising combinations of digital, manual and industrial processes.

Reus’s work explores our relationship with utilitarian objects and the inextricable context of consumer society. Her virtuoso objects appear functional, but do not explicitly reveal what their function actually is. By investigating our relationship with objects, Reus is looking for a strategy to critically interrogate the production and consumption processes of our society.

In conjunction with: Museum DHondt - Dhaenens & Centre d'art contemporain - La Synagogue de Delme - KunstHalle Bratislava & Atelier Calder

Exceptional portrait of the artistic practice of an internationally acclaimed artist Magali Reus.

The book 'Magali Reus. Red Roses' shows the extraordinary artistic practice of this internationally acclaimed Londonbased artist and winner of the prestigious Prix de Rome 2015. The publication features a range of recent works and exhibitions.

Magali Reus (b. 1981, The Hague) has been creating hyper-realistic sculptures for more than a decade. She represents, redefines, enlarges and deforms everyday objects in various materials and using surprising combinations of digital, manual and industrial processes.

Reus’s work explores our relationship with utilitarian objects and the inextricable context of consumer society. Her virtuoso objects appear functional, but do not explicitly reveal what their function actually is. By investigating our relationship with objects, Reus is looking for a strategy to critically interrogate the production and consumption processes of our society.

In conjunction with: Museum DHondt - Dhaenens & Centre d'art contemporain - La Synagogue de Delme - KunstHalle Bratislava & Atelier Calder

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