1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city
INDEX
65
Michael Cohen and Violette de la Selle
The Facts Have the Floor: Against Interpretation, Susan Sontag
Christophe Van Gerrewey
Pynchon’s Oblique Aerial
Stan Allen
A Special Year Like Any Other Architecture Formes Fonctions
Fabrizio Gallanti
Histoires d’eau
Christian Gilot
Free(D) Time: the Spatialisation of Leisure from the Xiii Triennale Until Today
Florencia Andreola, Riccardo M. Villa
Fifth Dimension, Tokyo-Jin, Femmes Algériennes, Au Hasard Balthazar
Ido Avissar
Dreamclouds
Natalie Koerner
To Coincide and Disappear
Kersten Geers
Cuba, 1966
Laura Evans
Go West, Omu
Alberto Geuna, Niccolò Suraci, Giulia La Delfa
Complexity and Complication Positions of the Object in Il Territorio Dell’architettura
Roi Salgueiro Barrio and Adrià Carbonell Rabassa
Architecture and Revolution
Paolo Portoghesi in Conversation with Nicolò Ornaghi and Guido Tesio
“What We Hold as Ugly
and Infuriating Today Will Be ‘Established’ in a Decade” Dimitris Philippides and the Historiography of Anonymous Architecture in Greece
Nikos Magouliotis
How Printing Silenced Architecture
Philippe Rahm
“1966 Can Be the Year of Rebirth for American Cities”
Susanne Schindler
Photojournalism the Difficult Task of Making Public Work in Good Faith
Roi Salgueiro Barrio
The Piper at the Gates of Dawn
Chris Norton Riley
The Anti-Hierarchical Atelier That Could Not Last
Stylianos Giamarelos
Grünzug Süd: an Urban Design Manifesto
Jasper Cepl, Sam Jacoby, Valerio Massaro
Site and Speculation
Kate Yeh Chiu
A Vinnese Concept for
an Analogue Postwar Grossstadt Manifesto
Lorenzo De Chiffre and Benni Eder
Type as a Monument
Nuno Brandão Costa
Too Beautiful To Be True: Lina Bo Bardi’s Masp, or An “Architectured” Lie
Daniele Pisani
Tomb for Two
Dámaso Randulfe
A Hole Wrapped in Wire
William Watson and Vivian Telgarsky
Breuer Stirling Price
Bas Princen
A Day at the Beach
Oliver Lütjens and Thomas Padmanabhan
Ås!
Giancarlo Floridi and Angelo Lunati
Separated at Birth
Ludovico Centis
Putting Up A Front
David Himelman
Es Ist Kein Organisches Material Sichtbar
Victoria Easton
For All the Wrong Reasons Myron Goldsmith and the Mcmath–Pierce Solar Telescope
Wonne Ickx
1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city
INDEX
65
Michael Cohen and Violette de la Selle
The Facts Have the Floor: Against Interpretation, Susan Sontag
Christophe Van Gerrewey
Pynchon’s Oblique Aerial
Stan Allen
A Special Year Like Any Other Architecture Formes Fonctions
Fabrizio Gallanti
Histoires d’eau
Christian Gilot
Free(D) Time: the Spatialisation of Leisure from the Xiii Triennale Until Today
Florencia Andreola, Riccardo M. Villa
Fifth Dimension, Tokyo-Jin, Femmes Algériennes, Au Hasard Balthazar
Ido Avissar
Dreamclouds
Natalie Koerner
To Coincide and Disappear
Kersten Geers
Cuba, 1966
Laura Evans
Go West, Omu
Alberto Geuna, Niccolò Suraci, Giulia La Delfa
Complexity and Complication Positions of the Object in Il Territorio Dell’architettura
Roi Salgueiro Barrio and Adrià Carbonell Rabassa
Architecture and Revolution
Paolo Portoghesi in Conversation with Nicolò Ornaghi and Guido Tesio
“What We Hold as Ugly
and Infuriating Today Will Be ‘Established’ in a Decade” Dimitris Philippides and the Historiography of Anonymous Architecture in Greece
Nikos Magouliotis
How Printing Silenced Architecture
Philippe Rahm
“1966 Can Be the Year of Rebirth for American Cities”
Susanne Schindler
Photojournalism the Difficult Task of Making Public Work in Good Faith
Roi Salgueiro Barrio
The Piper at the Gates of Dawn
Chris Norton Riley
The Anti-Hierarchical Atelier That Could Not Last
Stylianos Giamarelos
Grünzug Süd: an Urban Design Manifesto
Jasper Cepl, Sam Jacoby, Valerio Massaro
Site and Speculation
Kate Yeh Chiu
A Vinnese Concept for
an Analogue Postwar Grossstadt Manifesto
Lorenzo De Chiffre and Benni Eder
Type as a Monument
Nuno Brandão Costa
Too Beautiful To Be True: Lina Bo Bardi’s Masp, or An “Architectured” Lie
Daniele Pisani
Tomb for Two
Dámaso Randulfe
A Hole Wrapped in Wire
William Watson and Vivian Telgarsky
Breuer Stirling Price
Bas Princen
A Day at the Beach
Oliver Lütjens and Thomas Padmanabhan
Ås!
Giancarlo Floridi and Angelo Lunati
Separated at Birth
Ludovico Centis
Putting Up A Front
David Himelman
Es Ist Kein Organisches Material Sichtbar
Victoria Easton
For All the Wrong Reasons Myron Goldsmith and the Mcmath–Pierce Solar Telescope
Wonne Ickx
