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a+u 593. 2020:02 Toshiko Mori | 9784900212473 | a+u magazine

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a+u 593. 2020:02 Toshiko Mori

Publisher:a+u

  • Paperback
  • English, Japanese
  • 192 Pages
  • Jan 31, 2020

The February 2020 issue of a+u magazine is the first monograph dedicated to the architectural practice of Toshiko Mori. Based in New York, the Japanese native founded Toshiko Mori Architect (TMA) in 1981.

The introductory essay by Fred A. Bernstein, an architecture journalist, demonstrates her design approach and her keen eye for detail. Mori’s works are the result of an in-depth study of the site’s topography, vegetation, and landscape, as pointed out by Edward Eigen, a historian and scholar of European and Anglo-American landscapes in the long nineteenth century. Mori’s designs reflect a sensitive integration of design, materials, and technology with the site. In addition, Sean Kelly, one of Mori’s clients and an art gallery owner, speaks about the process of collaboration with Mori. 18 representative works after 2000, of which 9 are residences, are featured in this issue, alongside site photographs and survey maps.

To Mori, teaching is always in parallel with her practice. Her essay illustrates her career in architectural academia and the several initiatives she introduced while being a faculty member at various prestigious architecture institutions, including the Harvard Graduate School of Design (GSD).

The February 2020 issue of a+u magazine is the first monograph dedicated to the architectural practice of Toshiko Mori. Based in New York, the Japanese native founded Toshiko Mori Architect (TMA) in 1981.

The introductory essay by Fred A. Bernstein, an architecture journalist, demonstrates her design approach and her keen eye for detail. Mori’s works are the result of an in-depth study of the site’s topography, vegetation, and landscape, as pointed out by Edward Eigen, a historian and scholar of European and Anglo-American landscapes in the long nineteenth century. Mori’s designs reflect a sensitive integration of design, materials, and technology with the site. In addition, Sean Kelly, one of Mori’s clients and an art gallery owner, speaks about the process of collaboration with Mori. 18 representative works after 2000, of which 9 are residences, are featured in this issue, alongside site photographs and survey maps.

To Mori, teaching is always in parallel with her practice. Her essay illustrates her career in architectural academia and the several initiatives she introduced while being a faculty member at various prestigious architecture institutions, including the Harvard Graduate School of Design (GSD).

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